That last portion of the quotation needs a bit of examination, as actually I would say, today, most professional players do hold the horn very similarly seated and standing. The modern horn is held quite differently in standing position than when seated. In French horn playing there is another very good reason for sitting while practicing. … I go so far in trying to duplicate concert conditions that my practice chair at home is the same height as my orchestra chair. However, when these players perform in public-sitting-there is a new element of restricted breathing and unfamiliar position to add to their many other problems. Some players advocate standing during practice as it seems to make deep breathing a little easier, since the body is less cramped. Most brass players sit while playing therefore they should practice in a sitting position. Holding the horn seated and standingĪs an orchestral player Philip Farkas in The Art of French Horn Playing was a strong advocate of playing the horn seated. Continuing in our series of quotes from classic publications on the the horn, now that we have our horn selected and in working order we turn to the topic of holding the horn and the left hand.
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